Definitions, costs and procedures, in the questions

What each channel costs, answered in full.

Questions from the cost pages: what a realistic starting budget is per channel, why the enforced plan floor and the seller's minimum are different numbers, and what is not included in a quoted CPM.
questions in this group, each answered in full
14
pages the answers are written on, every one linked
8
questions across the whole set
148
On this page
4 questions

What UK media costs, per channel

Written on What UK media costs, per channel, and rendered here in the same words rather than summarised.

Read the page these answers live on →

Can I fund a campaign and start spending today?

No, and it matters most on this page. AdBuyMCP is in its design-partner phase: no buying rail has reached spend-tested or report-verified on our own evidence ledger, so live spend runs inside a design-partner engagement rather than from a self-serve top-up. The whole loop — brief, seven compiled plans, creative, approval, launch, delivery, measurement — runs today in a sandbox that needs no credentials and no card, and the numbers on these pages are what a plan would carry.

What is the difference between your floor and the market minimum?

They measure different things and both apply. The plan floor is enforced when AdBuyMCP builds a plan: a line that cannot clear it is dropped and its budget redistributed, with a note saying so. The market minimum is what the seller will actually accept for a campaign, which on Sky AdSmart is around £3,000 against a £1,000 plan floor. The floor stops a pointless line surviving into a plan; the seller's minimum stops a pointless campaign reaching air.

What is not included in these prices?

Three things, all named per channel. Data segment uplifts, which on a targeted business audience add roughly £2.50 to £3.00 per thousand impressions — the sellers' cost, not ours, and shown on the plan before approval. Creative production, whether generated here at published rates or produced elsewhere. And clearance time on the channels that need it, which is a lead time rather than a fee but is the constraint more often than money is.

How does 10% compare to what I pay now?

Against a UK agency, favourably on fee and not on scope: agencies charge 10% to 30% of spend, most commonly 15% to 20%, with £500 to £1,000 minimum monthly fees — and they are also selling strategy, creative judgement and someone accountable, none of which this is. Against the platforms, it depends: The Trade Desk's observed take rate is about 20% and DV360's around 10% to 15%, while Meta and Google's own managers are free. The comparison that matters is the whole waterfall, not the headline percentage.

2 questions

CTV cost

Written on CTV cost, and rendered here in the same words rather than summarised.

Read the page these answers live on →

What is a realistic CTV budget to start with in the UK?

Around £4,000 to £8,000 over a four-week flight if you want a reach and frequency figure worth reading. The £140 weekly floor exists so a line too small to buy properly is dropped with a note and its budget redistributed, rather than placed as a token, and not because £140 a week is a sensible campaign. Below roughly £1,000 a week the delivery is too thin to pace properly and far too thin to support any causal claim.

Why is the CPM higher for a business audience?

Two reasons compound. The audience is a small fraction of streaming households, so you are competing for a narrow slice of inventory, and the segments that identify it are licensed data that carries its own cost — around £2.50 to £3.00 per thousand impressions. Both show on the plan before approval.

2 questions

Addressable TV cost

Written on Addressable TV cost, and rendered here in the same words rather than summarised.

Read the page these answers live on →

Can I buy Sky AdSmart through AdBuyMCP today?

No. Sky AdSmart is a booking-workflow rail here: we generate the brief with the right household attributes, drive the clearance step and hold the order state machine, but we do not make the booking and it does not report the delivery. No addressable-TV delivery statement has been ingested through it. The supply page grades it accordingly.

Why is your floor £1,000 when the market minimum is £3,000?

Because they measure different things. £1,000 is the point below which an addressable line stops being worth carrying inside a multi-channel plan, so the planner drops it and redistributes the budget. £3,000 is what the seller will actually accept for a campaign. Both apply, at different moments.

1 question

Audio cost

Written on Audio cost, and rendered here in the same words rather than summarised.

Read the page these answers live on →

Is a host-read ad worth the premium over a programmatic one?

Sometimes, and the honest test is whether the endorsement is the product. A host reading your copy in their own voice carries transferred trust that a dynamically inserted spot does not, which is worth a premium for a considered purchase and close to nothing for a commodity one. It is also permanent: you cannot pause it, retarget around it, or pull it if the creative underperforms.

1 question

DOOH cost

Written on DOOH cost, and rendered here in the same words rather than summarised.

Read the page these answers live on →

Can AdBuyMCP buy DOOH end to end from a compiled audience?

Not in live mode, and this is worth being exact about. Live activation on the DOOH rail requires hand-picked unit identifiers, because venue and postcode semantics have no verified translation into vendor ids yet, and the other DOOH connector has no live client at all. The compiled plan, the venue selection and the sandbox loop all work. The live buy needs more than a human to pick the units: on that rail live creative submission and report pulls both fail closed as well, and no DOOH rail has reached spend-tested or report-verified in any case.

2 questions

Cinema cost

Written on Cinema cost, and rendered here in the same words rather than summarised.

Read the page these answers live on →

Why can I not just buy cinema online?

Because no UK cinema seller offers it, and the reason is structural rather than technological: cinema inventory is packaged against films whose performance is unknown until they open, so it is sold as a negotiated package rather than as auctioned impressions. AdBuyMCP automates the paperwork — the brief, the audience packs, the clearance step and the order state machine — which is a genuine saving in effort and is not the same thing as self-serve.

Is cinema worth it at a small budget?

For a launch, often yes; for ongoing performance, usually not. It is a small and volatile market — around £220m in the UK in 2025 — with an attention profile nothing else on this list matches, which makes it a good launch instrument and a poor recurring-spend one. It also scores 40 out of 100 on audience fidelity here, the lowest of the seven, because a cinema buy is a projection from catchment demographics onto a venue.

the rest of the questions

148 questions, grouped by subject

Every question answered anywhere on this site sits in one of 21 groups, and appears in exactly one of them. This is one.

All 148 questions, and every group →

book a working session

Bring the question this group did not answer.

45 minutes. Bring a real brief and we compile it live. You describe one audience, it compiles into seven channel plans in front of you, and the awkward questions get answered against your own numbers rather than in general.

Design-partner phase· recruiting paid design partners rather than selling self-serve media · what is live, and what is not

// pick a slot · cal.com/adbuymcp/working-sessionLIVE CALENDAR

Calendar not loading? Open it on cal.com or email hello@adbuymcp.com.